The Black Mountain Review

• Contents
• Pages

• Notes
• 5 - 14

• Songs of Degrees
• 15 - 25

• A Form Of Women
• 22 - 223

• Noah's Vineyard
• 26 - 35

• A
• 36

• Today an Ophelia
• 37

• The Way Through
• 38 - 39

• "Seldom is a Gothic head more beautiful than when broken"
• 40

• The Goatman
• 41 - 48

• Christian Morgenstern: On the Child in Man
• 51

• How the Gallowsongs Arose, trans. Jess Collins
• 52 - 53

• The Midnightmouse, trans. Jess Collins
• 54

• Seagull Song, trans. Jess Collins
• 55

• The Rockingchair On the Forsaken Terrace, trans. Jess Collins
• 56

• The Whawhalefish Or the Floodingwater, trans. Jess Collins
• 57

• The Moonsheep
• 58

• Gallowsmount, trans. Jess Collins
• 59

• The Undershirt, trans. Jess Collins
• 60

• The Knee, trans. Jess Collins
• 61

• The Wallflower, trans. Jess Collins
• 62

• The Fetcher
• 63

• Gallowschild's Lullaby, trans. Jess Collins
• 64

• No!, trans. Jess Collins
• 65

• The Moonsheep, trans. Jess Collins
• 66

• The Pipe
• 69 - 108

• A Portrait
• 109

• Letter From A Straw Man
• 110 - 111

• Enigma
• 112

• The Distances To The Friend
• 113 - 114

• Bottom: On Shakespeare Part Two
• 119 - 155

• The Cause, The Cause
• 158 - 162

• Goodbye
• 163

• AIR: 'Cat bird singing...'
• 164

• An Owl is An only Bird of Poetry
• 165 - 168

• Finale. Disarrangements as joy.
• 168 - 169

• Philip Guston: A Note
• 170

• The "Micho"
• 175 - 190

• Four Poems [1]
• 191

• Four Poems [2]
• 191 - 192

• Four Poems [3]
• 192

• Four Poems [4]
• 192 - 193

• Strangers To Each Other
• 194

• A Tragic Story
• 196 - 200

• Books & Comment [Notes On Poetics Regarding Olson's "Maximus"]
• 201 - 211

• Books & Comment [A Foot Is To Kick With]
• 211 - 212

• Books & Comment [Meanwhile, Back At the Ranch]
• 212 - 215

• Books & Comment [The French Dilemma: Two Notes]
• 215 - 222